Friday, February 20, 2015

The Meaning of Dreams

Stories are metaphors. From the moment they arise from the author's deepest dreams, to the second they enter the reader's mind, a story is a form of telepathic communication that conveys images, ideas, and philosophy in a way that no other medium can.

The message may become garbled. The reader may experience something other than what the author intended. And that's okay. Because the reader can only take in what she is ready to take. She can only comprehend what she is prepared for, and for what every unique moment in her individualized life experience has set her up for. She may feel completely different feelings than I've sent to her, but if she feels something that is personally meaningful to her, then the cycle of communication is complete.

Fantasy, science fiction, and horror, otherwise known as "speculative fiction", is the most ripe for conveying messages on this wavelength of metaphor. Because anything can happen, because fantastic worlds are built with rules that differ from our own, those rules can better represent the wispy, intangible form of language our subconscious minds speak: the language of symbols.



The Legends and Dreams story bundle contains eight such stories. What will pop into your subconscious when you experience a world in which entertainment conveys not only light and sound, but also touch and sensation, as it does in Tonya Macalina's Faces in the Water?


What speaks to you about a human boy capable of turning into an aquatic being of myth, like in Roslyn MacFarland's See No Sea?

What is most intriguing about a society of masked political maneuvering and courtly subterfuge as depicted in E.M. Prazeman's Masks?

Where will your mind take you when you read about a girl born with a spectral limb in Ripley Paton's Ghost Hand?

Or more down to earth, will you connect to Courtney Pierce's protagonist, who hunts for a killer and deals with her mother's death, in Stitches?

Perhaps a tale of traveling to magical realities will speak to your psyche, like Pamela Bainbridge-Cowan's The Butterfly.

If that doesn't call to your inner Jungian archetypes, there's another world you can travel to via the two characters in Crystal Doors: A steampunk world of science and magic by bestsellers Kevin J. Anderson and Rebecca Moesta.



As the author of Emerald City Dreamer, also included in the bundle, I can speak to the metaphors I hoped to convey. But perhaps you will have a different take away. I wanted to show the struggle between reason and hope, between cold logic and creativity. It is dedicated to those of us who have worked corporate day jobs, but wanted more; those of us with dreams bouncing eagerly (or scratching menacingly) just beneath the surface, struggling against reality to finally escape.

So I wrote about faeries living in the modern world, and about the two women who desperately want to kill them.

Is this a sales pitch? Yes, it is. I want you to experience the Legends and Dreams bundle because I believe in the power of books and in the majesty of the dying art of reading. Catch a dream. Experience a legend. All eight books are available in one bundle, and you can simply name your price.

What's even better is that all but one of these authors are women. And all but one book has female protagonists. #WeNeedDiverseBooks? Yes.

Legends and Dreams story bundle at WeBundle.it

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Friday, February 6, 2015

Career Crossroads

Instead of working on Emerald City Iron like I was supposed to, I've spent the last month soul-searching. That's a rose-colored way to say "being existentially depressed wondering about the purpose of life and being totally unable to get any work done." I'm sure either sounds glamorous, but I assure you, it's pretty much not. Though now that I'm putting it this way, and looking back, it does seem a bit more dramatic and interesting than it really was. But maybe that's how lived stories are. They aren't really all that fun until you reach the end and know that everything is going to work out. 

For now anyway.

I suppose I imagined I'd coming out the other side all psyched up to finally finish Emerald City Iron a couple of months late. Instead, I've learned that perhaps I will never finish ECI.

TL;DR: I'm taking an extended hiatus from writing novels so I can focus on nonfiction books, short fiction, and nonfiction blog posts.

I'm going to steer my ship away from writing novels for awhile. And in writer-time, awhile means years. 

Instead, I'd like to write another nonfiction book, more nonfiction blog posts (particularly about autism and social justice), and continue to write and publish short stories.

There are lots of pros and cons to this choice. The most painful part has to do with all the novels I had planned. And worse, those poor novels I've already written that are impatiently waiting for edits. And worse, worse, worse, the five or six people who have let me know very plainly that they are sick and tired of waiting for the sequel to Emerald City Dreamer, and if I don't finish it, they're threatening to never read it. Which is fine, because I won't let them. Bwaha. Or something. At any rate, it ensaddens me to let down my loyal readers.

It's also sad that I've got these great moments in ECI and Emerald City Hunter that no one will get to see. (A cow-car chase... How fun is THAT??) This is a major drawback to the decision, but also one of the drawbacks to novelling overall – incredibly delayed gratification – that I'll get to more in a bit. 

Those are the cons. The pros far outweigh them. (Protip: That's how you know it's a good decision.)

I firstly must acknowledge my limitations and work with them, not against them. One of my greatest limitations is extremely high inefficiency when switching tasks. Like, oh, say switching from writing and promoting a 150,000 word nonfiction book about the phycology of Mormonism to editing a 70,000 word novel about trauma recovery and hunting fairies. When it comes to autism and switching gears, that's a the steampunk of all gearshifts. 

In other words, it takes way too much time and angst for me to jump between topics and skillsets like that. Especially on big projects grappling with big topics. It also duplicates my work when it comes to promotion and making contacts in each field. Selling urban fantasy is exactly the same as selling recovery books to ex-religionists... Only I have to do it twice in two different communities with twice the number of emails, tweets, blog posts, and potential travel.

If I didn't have the brain I have, I might be able to navigate that level of executive function. But then I also wouldn't be able to write the things I write. Even Supernerd has her crypto-night. (Inability to resist awkward puns is yet another weakness of mine.)

So it comes down to deciding what is most important. What do I want most to accomplish?

I have lots and lots of things to say. Overall, that's my greatest goal. How can I say them, and how can I say them to the greatest number of interested people?

The answer seems to be nonfiction and short fiction.

The novels market is way too flooded to get noticed. And while I can write a novel draft very quickly (two-time NaNoWriMo champion), and I can edit prose very quickly, editing a complex novel-length narrative seems to take ages. It's the bits of plot and character development and nuance that has to remain just right over 60,000-130,000 words that fouls me up. I can do it; it just takes too long.

Meanwhile, I have all these fiction ideas that want to be released into the wild. I have worlds to build (That's my favorite part.) I have characters and settings and fun to create. And I want to do it over and over again. I can do all that much more quickly through short fiction. The dozen short stories I've published, or come close to publishing, in the last five years have given me a much greater sense of satisfaction than the three novel drafts that no one has read because it takes so damn long to get them out the door. And then once I do, still no one reads them, because there are 3.3 million novels on Amazon.

If I could be more prolific, my novels would rise to the top. But it takes lots of novels. And as I've pointed out, I'm Slowly Slowpants McWriter. I know I can write a good novel, but it takes more than that to be successful as a novelist.. And I don't have what it takes. At least not right now, not at this place in my life.

I'm not going to turn my back on all fiction. I've laid the groundwork to gain fans and friends in the SFF world. I love the SFF community. I'm not going to turn my back on it.

That's what short fiction is for. Most writers have day jobs and write short stories in their spare time. That's more or less what I'm planning to do. I will continue to pursue publication in pro-rate markets. And without the novels to make me constantly feel like I'm working on the wrong thing, I'm hoping to be able to relax and have more fun with it.

For the majority of my time, for the de facto "day job," I'd like to write couple of nonfiction books. I'm pretty excited about the idea of "thought liberating clichès." What is the opposite of mind control? How can people, with intention, open their minds? What does a firm yet flexible foundation look like? It will be based on the cognitive structures I created for myself after leaving Mormonism, so it's the logical follow up to Recovering Agency, but it would appeal to a larger audience: ex-religionists in recovery, freethinkers and atheists, and anyone brought up in this society where people are usually "trained" and not "educated."
Then, in all the spare time that I'm sure I will have, I plan to continue writing blog posts on topics I'm interested in. Here on lunalindsey.com I will continue to blog about autism and all the random things. And I can submit more guest posts about religion and culture on atheism and freethinker blogs, as well as at RecoveringAgency.com.

So far, nonfiction has been more rewarding than the novel. More people tend to read my nonfiction. I receive regular compliments for Recovering Agency and for my blog posts. Not just "great prose!" kind of compliments either. It's feedback like, "You managed to put words to what I was thinking!" and "You improved my life."

Basically, my nonfiction is helping people. I'm changing hearts and minds, I'm giving people new ways to look at the world. And I'm persuasive.

It's very fulfilling.

I'm still slow at writing and editing longer nonfiction. Recovering Agency took 15 months from start to finish. But in many ways it's easier. Everyday I know what I'm supposed to work on. Nonfiction outlines are straightforward. I'm never in doubt about whether this or that change will ruin any plots or be a trope or be cheesy. I don't have to remember all the actions of a whole cast of characters to know whether a scene change will destroy continuity. It's all laid out for me: this chapter is about shame. What do I know about shame? Just answer that question along with references to the research. Done. Next chapter.

Then there's the money. Recovering Agency isn't doing well enough to pay my bills. But it's doing quite well. It's doing well enough that I've made a business account from which I can now pay my work-related expenses, including travel. It's doing well enough that with a couple more like that, I could be financially independent. I am currently being supported by my wonderful life partners, but I don't want to be a burden forever. They still seem happy to pay my way in the world, but there's an emotional cost, for me, to be in this position.

I've also considered speaking. Again, if I'm focused on novels, there are gear-shifting issues.

Last year, I submitted a couple of papers to conventions and didn't get accepted. But this year, I'd like to spend more effort trying to speak at places like Sunstone Symposium and the Exmormon Conference. If I'm writing a book about the cognitive structures of free thought, I'll be much more capable of hopping to writing a proposal for a liberal Mormon academic conference. That task is almost unfathomable if I'm working on a novel about fairies in Seattle.

Moreover, it's difficult to justify all the time and effort speaking to exmormons when I'm supposed to be trying to be a novelist. But if I'm a nonfiction writer? The efforts all go hand in hand towards related goals.

Efficient.

But of course I still love to do sci-fi cons. I'd never give that up. But that's way more easy to justify. I already go to cons for fun. Now I'm just doing it as a panelist. Even more fun! Sure, I won't have any novels to sell, but who cares? I've still got short story readers to reach. Novels would be nice, but not required.

Lastly, I'm playing to the strengths of my brain. Anyone who knows me personally (or even who follows me on Twitter) knows that once I get started on a topic I'm interested in, I can't shut up. Some writers have word count goals. I don't bother with them, because I know nearly every day I can't help but write 500 or 1,000 words. It's just that.. sometimes those 1,000 words are in an email or on Facebook or in a journal entry.

This will allow me to ask myself, as I'm typing that 800 word Facebook reply on some topic I'm passionate about – I can pause and ask, "Wouldn't this be better on the blog?" In the past the answer was always, "Yes, but I'm not supposed to be blogging right now. I'm supposed to be working on the novel." I'm hoping in the future, the answer will be, "Yes. I will finish writing this comment and then spend another two hours turning this nice draft into a real piece with a beginning and end so I can stick it on my blog or submit it as a guest article someplace." If my focus is nonfiction, then it's all in a good day's work.

Overall, nonfiction books is where it's at. A career pivot. Not terrible major in most ways, but pretty huge in a couple of ways. If you're one of the three people excited to read Emerald City Iron, I am deeply, deeply ensaddened.

Input? Thoughts? Please leave them in the comments below!

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Thursday, January 8, 2015

2014 Awards Eligible Stories

This year, I have two stories eligible for the Campbell Award:

Meltdown in Freezer Three came out in the November issue of The Journal of Unlikely Entomology. It's about an autistic woman who runs an ice cream truck business, with the help of her beloved insect service animal, Macy.

This story is also eligible for the Hugo and Nebula awards.

Touch of Tides came out in Crossed Genres in the August 2013 issue. It's about a scientist studying life under the ice of Jupiter's moon, Europa, and using her inborn synesthesia to make a historic breakthrough discovery.

This is my last year of Campbell eligibility. So please read, and thank you for voting!

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Monday, January 13, 2014

2013 Accomplishments - 2014 Goals

What a year. In reviewing my goals from last year, looks like I got way off track, but I'm very pleased with what I accomplished.

This year, I:
One reason I didn't accomplish all of my 2013 goals is because of that little sidetrack. It's a book I had thought about writing based on my mind control website in 2005, forgotten about, and then on a whim decided to crank it out "real quick". The effort took 7 months (with distractions in between). It is currently out to alpha readers.

Emerald City Iron made it through the writer's group, and is ready for the next round of edits, when I can get to it.

I have a bunch of stories to submit, and one in particular is totally publishable. It's been rejected twice, both with a personal note from the editor, so I know it will sell. I just have to get it, and the others, out there. I set the bar pretty high for myself. I currently only submit stories to pro-paying markets until those venues are exhausted, and then I might send it to semi-pro markets. My time and splines are fairly limited, so I'd rather spend time aiming at high targets, being a perfectionist, and working on totally unplanned projects. ;)

So my goals for this year:
  • Publish Recovering Agency in print and ebook.
  • Market Recovering Agency, including launching a new website and giving interviews.
  • Be a panelist at Radcon again.
  • Be invited as a visiting pro at another con for 2015. Norwescon would be nice.
  • Speak at Defcon.
  • Speak elsewhere, either a seminar, or Exmormon Foundation, or some convention related to cults or religion, on the topic of mind control.
  • Write a whole bunch of blog posts on autism and mind control.
  • Release Emerald City Iron.
  • Complete a major step in a novel: Either write the first draft of the next Dreams by Streetlight book or the second draft of The Sun Never Rises.
  • Sell two stories to pro-paying markets. I'd really love to sell to an anthology.
If that seems like alot, it's because it is. So we'll see. :) There's a significant chance I will be caught up in marketing Recovering Agency for many months. It's already generated plenty of interest. I need to be okay with dropping many of the above goals in trade for promoting a book that could really help people. And maybe pay some bills in the process.

So here's to 2014. May it be a very good year for all of us.

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Tuesday, August 6, 2013

Touch of Tides - Crossed Genres

I am exceptionally excited to announce that my story, Touch of Tides, was just published in Crossed Genres magazine. Please check it out, and while you're there, read the other two stories by DeAnna Knippling and Michael Ben Silva III.

In Touch of Tides, a xenobiologist explores the oceans of Europa. Mara has synesthesia, meaning her senses are crossed -- what she feels on her skin she also sees with her eyes. Her passion is studying Europan life, hands-on. Until she finds something dangerous.

Here are the opening paragraphs:
I swim with no light, artificial or natural. A solid ice shell, seven kilometers thick, floats above me in this single ocean that covers the entire moon of Europa. All I can hear is liquid gurgling in my ears and I taste residual salt that leaks in around my gill breather.
My name is Mara. I am naked except for my equipment belt and a molecule-thin coating of nanoscale to protect me from the chill. The other biologists at my barnacle wear full wetsuits when they dive, relying on augmented reality. My gill could report water conditions, geolocation data, and radar sight, if I let it distract me.
I prefer to let the touch-colors lead...
- See more at Crossed Genres.
Crossed Genres also gave me the spotlight interview, in which I answer questions about Touch of Tides, synesthesia, autism, and more.

I am particularly proud of this one, because it is my first hard science fiction story. I spent a lot of time researching, asking experts, sketching, and even doing math, to make sure the details of the story were realistic. Science is very central to the plot, and all of this could actually happen. (Meaning all my other stories are completely impossible, I guess.) It also marks my first pro-rate sale.

I wrote it for you. Please enjoy reading it.

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Monday, February 11, 2013

Radcon 6A Panel Schedule

I am honored to be on the panel schedule for Radcon 6A, this coming weekend, February 15-17th, 2013, in Pasco, WA.

I consider Radcon my home con. Not to jinx it, but I've attended every Radcon since my first in 1995. Though I no longer live in Eastern Washington, I make the long trek through the mountains back to Mordor, each year, and not even a pain-wracking, can-barely-move kidney infection has stopped me. It's a good con, "medium sized" by the old standards, but with cons like PAX exceeding 70,000 attendees, I suppose it's a small gathering.

Since my youthful days, when I still held the illusion that being a writer was glamorous and could get you lots of money and free stuff, I dreamt of being a panelist at Radcon. Now that day has arrived.

My schedule begins with a reading Friday evening at 5pm. I am currently planning to read my two recently published stories, Beyond Earth's Summer and Let the Bugs Work Themselves Out. If there's time, I may There will definitely not be time to read a passage from Emerald City Iron.

Then I'm on four panels over Saturday and Sunday about various writing and fiction topics. I'm greatly looking forward to it, and I hope when I'm up there, I will actually have something interesting to say. If you're there, stop by and see me!

Fri Feb 15 5:00:pm
Fri Feb 15 5:30:pm
Luna Lindsey reading
Small Press
Luna Lindsey reads from her favorite writing.
Lindsey, Luna

Sat Feb 16 12:00:pm
Sat Feb 16 1:00:pm
World Building for Planets
2201
How do you create a world for your characters to interact in? This panel will cover everything to creating planets to finding names--stressing the importance of building a solid world and keeping it solid.
Lindsey, Luna Gregory, Hugh Morrigan, Muffy
Sat Feb 16 1:00:pm
Sat Feb 16 2:00:pm
Sex, Love and Writing in a Changing World
Fan Room
Alternate sexuality is one of the final, vastly unexplored elements of science fiction and fantasy. Where has it been touched upon, and why so few times? Is it time to examine it, or should it stay in the shadows?
Burk, Jim Lindsey, Luna Jones, Peter Morgan, Christine Tamra, Excell
Sun Feb 17 11:00:am
Sun Feb 17 12:00:pm
Stop Thief!
Small Press
With the increasing popularity of ebooks comes the increasing opportunity for scam artists to take credit for the work of others. As a fan, how do we stop and address these issues? As an artist and author, how can you protect yourself and your intellectual interests? Join our panel of experts as we discuss what measures are available for both fans and authors.
Burk, Jim Lindsey, Luna Jones, Peter
Sun Feb 17 2:00:pm
Sun Feb 17 3:00:pm
Why Horror (and beyond)?
2207
Our symbiotic relationship with genre films that feature elements of dread - why do we like them? And how do they reflect our society?
Lindsey, Luna Leota, Ron Snively, Devi

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Thursday, January 31, 2013

Beyond Earth's Summer on Penumbra Rising Talent

I am pleased to announce that I was published as January's Rising Talent in Penumbra eMag. The January 2013 theme was Ray Bradbury to celebrate the life of the great science fiction author who passed on last June.

In addition to my short story, I was asked to write an essay about Ray Bradbury. The story itself tells of the last woman on earth, and her desperate struggle to find meaning on a lonely planet.

Please read my essay and story, Beyond Earth's Summer. It's free.

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